{"id":2462,"date":"2018-06-25T00:11:43","date_gmt":"2018-06-24T22:11:43","guid":{"rendered":"https:\/\/belguest.rs\/svet-istine-i-lepote\/"},"modified":"2018-07-13T14:06:27","modified_gmt":"2018-07-13T12:06:27","slug":"all-truths-and-beauties","status":"publish","type":"post","link":"https:\/\/belguest.rs\/en\/all-truths-and-beauties\/","title":{"rendered":"Tomislav Petrenek: All truths and beauties"},"content":{"rendered":"
Famous Serbian Photographers: Tomislav Peternek<\/h6>\n

How to introduce Tomislav Peternek, one of the best photographers nowadays? What is it that determines his world and his primordial need to offer his photographical achievements of the highest quality? In 1967, he became Master of Photography at the Yugoslav Photo-Association; in 1973, he received one of the highest world titles \u2013 FIAP Excellence \u2013 from the International Federation for Art Photography (Federation Internationale de l’Art Photographique) (FIAP). He stopped counting his awards, exhibitions, front pages\u2026 many years ago.<\/em><\/h4>\n

You started your journey in Vinkovci\u2026<\/strong><\/p>\n

Yes, I was born in Vinkovci, in the then Kingdom of Yugoslavia. It that spirit, my father gave my older brother and me the names Aleksandar and Tomislav. It was my mother who noticed my love for photography; so, she bought me a small board, ramica, in which a negative and paper were placed and exposed to the sun for a picture to appear. I\u2019d be hiding under the bed for a long time so that the picture could last longer. Later, I found out that I also needed a fixer and a developer to achieve the permanence of a photograph\u2026 That\u2019s how everything began. I\u2019ve been in journalistic photography since 1954. I started at Svetlost Kragujevac, and after coming to Belgrade, I published my photos in Borba, Sport i svet, Mladost, Jugoslovenska revija, Ekonomska politika, NIN\u2026, and I also worked for Reuters, East Light, Contrast, UNICEF, Sigma\u2026 Now I\u2019ve got a status of a freelance artist. And I still work and always have my camera with me. Because\u2026 I haven\u2019t taken my best photograph yet (laughs).<\/p>\n

You are famous for the fact that your photographs show a true image of an event and a person\u2026<\/strong><\/p>\n

While on his deathbed, my father advised me not to engage in politics; no matter what I do, I\u2019ve never forgotten his words. I\u2019ve met and photographed many politicians, and searched for their character when taking photos of them. In my opinion, Ceau\u0219escu was a \u201cpolitical fox\u201d, and I found that expression and rendered it immortal in the portrait. I\u2019ve also photographed the events that have marked our reality in the last few decades. When the bombing of Serbia began in 1999, I \u201crelocated myself\u201d onto Belgrade\u2019s roofs. That was my way to fight. The photos of \u201cBelgrade\u2019s 45 Hell Nights\u201d will remain \u2013 for history!<\/p>\n

\n

A photograph is more deadly than any other weapons. That message, contained in a fraction of a second, can influence changes, break down taboos\u2026 <\/strong><\/p>\n<\/blockquote>\n

A photograph is said to be worth a thousand words; but it would be more precise to say that it needs not a single word at all to link with everybody and convey its photographer\u2019s thought. You had a chance to convince yourself of that during your Paris exhibition, didn\u2019t you?<\/strong><\/p>\n

I had a big exhibition in our Cultural Center in Paris, and many told me \u2018it\u2019s a pity you didn\u2019t live here \u2013 your photos would\u2019ve had a great value\u2019. And I answered \u2013 \u2018but then they wouldn\u2019t be what they really are!\u2019 Namely, a photograph should live, people should recognize something of their own in it\u2026<\/strong> When you\u2019re watching my photograph taken in Kragujevac in which the watchers are peeping over the fence in order to watch a sports match, or the photograph of a man in the bridge trousers and a contrabass with a picture of Marilyn Monroe on it, taken on a New-Year\u2019s morning at the Belgrade Railway Station, you place it within a certain milieu\u2026 I couldn\u2019t, nor would I know how to paint it in Paris!<\/p>\n<\/div>

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Your photos have unmistakably had an influence on the generations of photographers that have come, and simultaneously on our society as well\u2026<\/strong><\/p>\n

In 1985, the Institute for Journalism gave me an opportunity to be a mentor and draft a program for the education of journalistic photographers. I trained over 300 young people. Many of them work in renowned newspapers and one of my students is a teacher at Brooks Institute in Santa Barbara today. I was invited to give a lecture there, they offered me to stay there, too\u2026 But I\u2019ve always wanted to record the life here and to cherish what my country has to offer.<\/p>\n

What is it that motivates you to still work? <\/strong><\/p>\n

Man is what fundamentally motivates my work. I find my inspiration in life stories, in everyday life scenes. I\u2019m horrified when I see someone taking photos motorom, making a hundred shots\u2026 What I feel while taking photos is what I only find to be true.<\/strong> I choose what I\u2019ll take a photo of, I choose the moment and I only make one shot. That\u2019s more difficult, but that\u2019s what true authorship is all about.<\/p>\n

Underwater photography is your great love, although you have engaged in applied, commercial, fashion photography\u2026 You also had an exhibition dedicated to nude women?<\/strong><\/p>\n

I was a photo editor in the first three numbers of the Serbian \u201cPlayboy\u201d magazine, and I quitted since I had no motivation to take photos of paid models. It was quite a different thing when I took photos of Magda, who is also my wife, on Montenegrin beaches and olive groves. Having previously been taking photographs for her book of poems \u201cKnock on My Heart\u201d, I realized how much beauty and energy Magda Peternek offered to the lens. She\u2019s the one to have \u2018revealed\u2019 erotic photography to me and given me a new inspiration. I presented the photographs at my 50th self-financed exhibition entitled An Ode to Life<\/em>.<\/p>\n

Imprinted in time, Tomislav Peternek\u2019s works have a universal value. With his incisive mind and sharp eye, he presents all the truthfulness of this cruel, but yet nice world. This world acknowledged great Serbian photography master will celebrate his 85th birthday on May 22nd \u2013 or to be more precise, his \u201c15-to-100th\u201d birthday.\u00a0Happy Birthday, Maestro!<\/strong><\/h4>\n
Tekst: Rozana Sazdi\u0107<\/h6>\n<\/div>
<\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

Tomislav Peternek one is of the best photographers nowadays. In 1967, he became Master of Photography at the Yugoslav Photo-Association; in 1973, he received one of the highest world titles \u2013 FIAP Excellence \u2013 from the International Federation for Art Photography.<\/p>\n","protected":false},"author":3,"featured_media":2472,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[137,101],"tags":[151,152,149],"class_list":["post-2462","post","type-post","status-publish","format-standard","hentry","category-people","category-people-events","tag-belguest","tag-famous-serbian-photographers","tag-tomislav-peternek"],"yoast_head":"\nTomislav Petrenek: All truths and beauties - BelGuest<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/belguest.rs\/en\/all-truths-and-beauties\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tomislav Petrenek: All truths and beauties - BelGuest\" \/>\n<meta property=\"og:description\" content=\"Tomislav Peternek one is of the best photographers nowadays. 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